Physical Modeling Synthesis History, Applications and the Future
Join AES San Francisco for a presentation on Physical Modeling Synthesis History, Applications and the Future, with Gregory Pat Scandalis, Dr. Julius O Smith III, Nick Porcaro and Jordan Rudess at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA).
Schedule:
6:00 pm doors, networking & refreshments
7:00-9:00 pm presentation
The story of physical modeling spans nearly a thousand years—from early explorations of acoustics to today’s cutting-edge synthesis technologies. We now live in a time when anyone can perform like Jimi Hendrix with just small device in the palm of their hands. It’s a fun and deeply technical topic, drawing on many fields, including physics, acoustics, digital signal processing and music.
This tutorial will explore:
- A historical overview of physical modeling synthesis, illustrated with compelling audio examples.
- The critical role of MPE (MIDI Polyphonic Expression) in unlocking the expressive potential of physical models.
- Practical applications for composers and orchestrators using physical modeling instruments.
- Future Applications of Physical Modeling including MIDI 2, the MIDI 2 Orchestral Articulation Profile, and AI Virtual Performers controlling Physical Models.
Bios:
Light hors d’oeuvres and non-alcoholic refreshments will be provided.
This event requires advance sign-up.