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DTSTART;TZID=America/Los_Angeles:20260518T180000
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SUMMARY:Physical Modeling Synthesis History\, Applications and the Future
DESCRIPTION:Join AES San Francisco for a presentation on Physical Modeling Synthesis History\, Applications and the Future\, with Gregory Pat Scandalis\, Dr. Julius O Smith III\, Nick Porcaro and Jordan Rudess at Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA). \nSchedule: \n6:00 pm doors\, networking & refreshments\n7:00-9:00 pm presentation \nThe story of physical modeling spans nearly a thousand years—from early explorations of acoustics to today’s cutting-edge synthesis technologies. We now live in a time when anyone can perform like Jimi Hendrix with just small device in the palm of their hands. It’s a fun and deeply technical topic\, drawing on many fields\, including physics\, acoustics\, digital signal processing and music. \nThis tutorial will explore: \n\nA historical overview of physical modeling synthesis\, illustrated with compelling audio examples.\nThe critical role of MPE (MIDI Polyphonic Expression) in unlocking the expressive potential of physical models.\nPractical applications for composers and orchestrators using physical modeling instruments.\nFuture Applications of Physical Modeling including MIDI 2\, the MIDI 2 Orchestral Articulation Profile\, and AI Virtual Performers controlling Physical Models.\n\nBios: \n\nPat Scandalis\nJulius Smith\nJordan Rudess\nNick Porcaro\n\nLight hors d’oeuvres and non-alcoholic refreshments will be provided. \nThis event requires advance sign-up. \nGet Tickets
URL:https://aessf.org/event/physical-modeling-synthesis-history-applications-and-the-future/
LOCATION:CCRMA | Stanford Center for Computer Research in Music and Acoustics\, 660 Lomita Drive\, The Knoll\, Room 217\, Stanford\, CA\, 94305\, United States
CATEGORIES:Section Meetings
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