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DTSTART;TZID=America/Los_Angeles:20170707T190000
DTEND;TZID=America/Los_Angeles:20170707T210000
DTSTAMP:20260429T043123
CREATED:20170624T110609Z
LAST-MODIFIED:20170624T110609Z
UID:373-1499454000-1499461200@aessf.org
SUMMARY:Audio Restoration and Repair
DESCRIPTION:Program: We live in a noisy world! Learn about audio repair technology\, aesthetics and practice from the experts. We will spend some time talking about how to approach de-noising and repair\, to break down what sort of tools exist and how they work\, and to include tips about how to use them. \nPanel:  Jonathan Wyner (Education Director iZotope\, professor – Berklee College – M Works Mastering)\nJessica Thompson (Mastering and Restoration Engineer; Archiving Specialist\,Coast Mastering) \nModerated by Michael Romanowski\, Chief Engineer\, Coast Mastering \nDoors open 6:30pm\nEvent 7:00-9:00pm \nParking in the Fantasy parking lot or street. \nSpeaker Bios: \nJessica Thompson: Grammy-nominated mastering and restoration engineer and archiving specialist  Jessica Thompson  has digitized\, restored and revived historic recordings from the Bottom Line\, Caffe Lena\, Erroll Garner and Woody Guthrie Archives and the Newport Jazz and Folk Festival\, including performances by Pete Seeger\, Roger McGuinn\, Dave Von Ronk\, Lightnin’ Hopkins\, Doc Watson\, Miles Davis and Jean Ritchie. Her remaster of Erroll Garner’s iconic recording  The Complete Concert By The Sea (Sony/Legacy) was nominated for the Best Historical Album Grammy\, 2016. \nShe has cleaned\, digitized and restored rare vinyl and cassette recordings for Awesome Tapes From Africa and many Numero Group complications. (She wrote about restoring Ata Kak’s cassette  Obaa Sima  for  Pink Noise.) \nIn her previous career as a radio producer\, she interviewed drummer Max Roach and the organ player at Fenway Park for WGBH. She has spun records and CDs on the airwaves of WGBH\, WFMU\, WZBC and WESU. \nJonathan Wyner is Education Director of iZotope in Cambridge\, MA\, Chief Engineer of M Works Mastering\, and Professor at Berklee College of Music in Boston.  He’s mastered and produced more than 5000 recordings during the last 34 years. \nMastering\, recording and mixing since 1983\, he established M Works mastering studios in Cambridge\, MA in 1991.  Among the artists’ projects he has worked on are:  James Taylor\, David Bowie\, Aerosmith\, Kiri Te Kanawa\, Aimee Mann\, London Symphony\, Miles Davis\, Thelonius Monk\, Pink Floyd\, Bruce Springsteen and Nirvana. His project Invention and Alchemy received a Grammy Nomination in 2005. \nJonathan has conducted seminars around the world and presented with George Massenburg\, Doug Sax and Bob Ludwig among others.   In January 2017 he presented the keynote talk for the NAMM TEC Tracks.   He’s authored a book\,  ‘Audio Mastering: Essential Practices’ published by Hale Leonard/Berklee Press. With the iZotope team he authored and developed ‘Pro Audio Essentials’\, an online ear training site that garnered a TEC award in early 2017. \nJonathan hosts ‘Headroom’\, an online webcast series archived on iZotope’s website. \nMichael Romanowski is a Grammy nominated mastering engineer based in the San Francisco Bay Area. He is owner and chief mastering engineer at Coast Mastering and co-owner and founder of the analog tape label The Tape Project. Michael is currently a Trustee of the The Recording Academy San Francisco Chapter (NARAS)\, Chair of the National Presidents Council\, former president of the SF Chapter and serves on the National Advisory Council to the Producers & Engineers Wing. \nSince 1994\, Michael has worked to support the tradition of the diverse San Francisco sound and has become a national expert in the art and science of mastering (Mix Magazine\, Electronic Musician\, AES\, NAMM\, SXSW\, Tape Op\, Potluck Con\, AES Mexico\, AES Europe). Michael started his audio career as a musician and live sound engineer in Nashville\, where he quickly progressed to recording and mixing pop\, rock and alternative acts. In 1994\, he relocated to the Bay Area to apprentice at Rocket Lab with Paul Stubblebine and Ken Lee\, learning the art and craft of the mastering engineer. In 1999\, he became the chief mastering engineer for Sausalito’s Plant Studios\, in 2001 he reunited with Paul Stubblebine and built two new mastering rooms at the former location of Coast Records. In 2007\, Michael acquired the business and continued to expand the facility. \nHe teaches at San Francisco State University and is a guest lecturer at other regional colleges. Michael’s extensive credits include America\, Third Eye Blind\, Pat Monahan\, Devotchka\, Chuck Prophet\, Train\, Alasdair Fraser\, Los Amigos Invisibles\, Laura Pausini\, Matt Nathanson\, America\, Jacqui Naylor\, Will Kimbrough\, The Dynamites\, Ant Banks\, Norton Buffalo\, Too $hort\, Colorado Symphony\, Chanticleer\, Dredg\, !!!\, Junior Toots\, Bad Finger\, and several thousand more.
URL:https://aessf.org/event/audio-restoration-and-repair/
LOCATION:Fantasy Studios\, 2600 10th St \, Berkeley\, CA\, 94710\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/png:https://aessf.org/wp-content/uploads/2017/06/Thompson-Wynter-Romanowski.png
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20170708T130000
DTEND;TZID=America/Los_Angeles:20170708T180000
DTSTAMP:20260429T043123
CREATED:20170624T111244Z
LAST-MODIFIED:20170706T085337Z
UID:378-1499518800-1499536800@aessf.org
SUMMARY:Demystifying Mastering
DESCRIPTION:Description:\nMastering has evolved greatly since the days of analogue recording! Learn about uncovering the art and craft of audio mastering from the experts. From the tools we use to the practices we deploy – everything is on the table\, as we take a deep dive into this discipline. \nWith Jonathan Wyner (Education Director iZotope\, professor – Berklee College – M Works Mastering)\nMichael Romanowski (Chief Engineer\, Coast Mastering)\nJessica Thompson (Mastering and Restoration Engineer; Archiving Specialist\,Coast Mastering) \nCoast Mastering holds a maximum of 18 people\, so we will be hold two sessions of the same program. (Update: the 1pm seating is full\, tickets still available for the 4pm seating.) \nSession 1: Doors open 12:30pm\, Event 1:00-3:00pm – FULL\nSession 2: Doors open 3:30pm\, Event 4:00-6:00pm \nParking on the street. Please do not use Fantasy parking lot. \nSpeaker Bios: \nJessica Thompson: Grammy-nominated mastering and restoration engineer and archiving specialist  Jessica Thompson  has digitized\, restored and revived historic recordings from the Bottom Line\, Caffe Lena\, Erroll Garner and Woody Guthrie Archives and the Newport Jazz and Folk Festival\, including performances by Pete Seeger\, Roger McGuinn\, Dave Von Ronk\, Lightnin’ Hopkins\, Doc Watson\, Miles Davis and Jean Ritchie. Her remaster of Erroll Garner’s iconic recording  The Complete Concert By The Sea (Sony/Legacy) was nominated for the Best Historical Album Grammy\, 2016. \nShe has cleaned\, digitized and restored rare vinyl and cassette recordings for Awesome Tapes From Africa and many Numero Group complications. (She wrote about restoring Ata Kak’s cassette  Obaa Sima  for  Pink Noise.) \nIn her previous career as a radio producer\, she interviewed drummer Max Roach and the organ player at Fenway Park for WGBH. She has spun records and CDs on the airwaves of WGBH\, WFMU\, WZBC and WESU. \nJonathan Wyner is Education Director of iZotope in Cambridge\, MA\, Chief Engineer of M Works Mastering\, and Professor at Berklee College of Music in Boston.  He’s mastered and produced more than 5000 recordings during the last 34 years. \nMastering\, recording and mixing since 1983\, he established M Works mastering studios in Cambridge\, MA in 1991.  Among the artists’ projects he has worked on are:  James Taylor\, David Bowie\, Aerosmith\, Kiri Te Kanawa\, Aimee Mann\, London Symphony\, Miles Davis\, Thelonius Monk\, Pink Floyd\, Bruce Springsteen and Nirvana. His project Invention and Alchemy received a Grammy Nomination in 2005. \nJonathan has conducted seminars around the world and presented with George Massenburg\, Doug Sax and Bob Ludwig among others.   In January 2017 he presented the keynote talk for the NAMM TEC Tracks.   He’s authored a book\,  ‘Audio Mastering: Essential Practices’ published by Hale Leonard/Berklee Press. With the iZotope team he authored and developed ‘Pro Audio Essentials’\, an online ear training site that garnered a TEC award in early 2017. \nJonathan hosts ‘Headroom’\, an online webcast series archived on iZotope’s website. \nMichael Romanowski is a Grammy nominated mastering engineer based in the San Francisco Bay Area. He is owner and chief mastering engineer at Coast Mastering and co-owner and founder of the analog tape label The Tape Project. Michael is currently a Trustee of the The Recording Academy San Francisco Chapter (NARAS)\, Chair of the National Presidents Council\, former president of the SF Chapter and serves on the National Advisory Council to the Producers & Engineers Wing. \nSince 1994\, Michael has worked to support the tradition of the diverse San Francisco sound and has become a national expert in the art and science of mastering (Mix Magazine\, Electronic Musician\, AES\, NAMM\, SXSW\, Tape Op\, Potluck Con\, AES Mexico\, AES Europe). Michael started his audio career as a musician and live sound engineer in Nashville\, where he quickly progressed to recording and mixing pop\, rock and alternative acts. In 1994\, he relocated to the Bay Area to apprentice at Rocket Lab with Paul Stubblebine and Ken Lee\, learning the art and craft of the mastering engineer. In 1999\, he became the chief mastering engineer for Sausalito’s Plant Studios\, in 2001 he reunited with Paul Stubblebine and built two new mastering rooms at the former location of Coast Records. In 2007\, Michael acquired the business and continued to expand the facility. \nHe teaches at San Francisco State University and is a guest lecturer at other regional colleges. Michael’s extensive credits include America\, Third Eye Blind\, Pat Monahan\, Devotchka\, Chuck Prophet\, Train\, Alasdair Fraser\, Los Amigos Invisibles\, Laura Pausini\, Matt Nathanson\, America\, Jacqui Naylor\, Will Kimbrough\, The Dynamites\, Ant Banks\, Norton Buffalo\, Too $hort\, Colorado Symphony\, Chanticleer\, Dredg\, !!!\, Junior Toots\, Bad Finger\, and several thousand more.
URL:https://aessf.org/event/demystifying-mastering/
LOCATION:Coast Mastering\, 2600 10th St\, Berkeley\, CA\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/png:https://aessf.org/wp-content/uploads/2017/06/Thompson-Wynter-Romanowski.png
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DTSTART;TZID=America/Los_Angeles:20170722T100000
DTEND;TZID=America/Los_Angeles:20170722T130000
DTSTAMP:20260429T043123
CREATED:20170517T045125Z
LAST-MODIFIED:20170721T193935Z
UID:348-1500717600-1500728400@aessf.org
SUMMARY:Audio Engineering Society Gear Swap Meet
DESCRIPTION:George Petersen holding the Altec 1567A TUBE 5-input mic mixer he sold at the AESSF 2016 Audio Swap Meet\nSpend a Saturday morning buying\, selling or browsing great audio gear and instruments with other Bay Area audio professionals at our summer swap meet\, on Saturday\, July 22\, 2017\, at Airship Laboratories in Richmond. \nHosted by the Audio Engineering Society\, this is a volunteer-run\, not-for-profit\, community event for music and audio industry professionals. All transactions are 100% buyer to seller\, with no commissions. This event is open to non-AES members as well. \nAudio Engineering Society San Francisco will post an advance page on our website of gear sellers plan to bring and a wishlist of what people are looking for\, as that information gets communicated to us. \n  \nTickets to attend & shop: open to everyone\, members and non-members:\nAdvance: $3 per person ($4.16 with service fees) at Eventbrite.\nAt the door: $5 per person \n\nInfo for Sellers:\nIf you have professional audio gear or musical instruments to sell\, contact us with the form below to request a spot. Selling space size varies since we’re putting everyone inside the studio\, so giving us a rough idea of what you plan to bring helps AES plan space and promote. \nVendor spaces are payable in advance through eventbrite: once you’ve reserved your spot\, we’ll give you information on how to prepay for your space. \nAES Members: $10 includes your admission\nNon-AES Members: $15 includes your admission \nLocations on floor will be on a first arrival basis. We’ll be indoors\, with electricity available for testing gear. Bring your own folding table\, crates\, tablecloths\, seats or whatever you need to display. Sellers are responsible for all of your own transactions and fund collection. \nMove-in at 9:00am.  Doors for shoppers at 10:00am. \nTo request a selling spot\, please fill out the following form:\n[wufoo username=”aessf” formhash=”z9118wv1f4z8fd” autoresize=”true” height=”760″ header=”show” ssl=”true”] \nWish list items people have inquired about or are looking for: \nParabolic Mics\nSound Devices 633 and Lectrosonics HMA/SRc/LMb (all A or B unit)\nMackie Control Universal Pro – Expandable Control Surface (or something similar) \nPartial list of gear sellers plan to bring. More will be added to this as information comes in. (updated 7/21) \nChris Cooper/Blue Seven Audio\nDigidesign HD 192 I/O\nAvid 6’ Digilink adapters (x4)\n24×4 150’ stage snake (x2)\nRane GE60 Graphic EQs (x2)\nDBX 1046 comp/limiter 4ch\nDBX 165 comp/limiter 2ch\nNetgear N600 Wireless Router\nCabling of various kinds \nJordan Rode\nPair of Bryston Model T speakers\nOtari MTR 10\nOtari MTR 90\nTrident TSM (do not plan on bringing to event space)\nTeac 3340S\nVarious mic-pre’s\,mic’s\, tape machine cards\, heads\, outboard gear and other related audio components and parts\n4×10 guitar cabinet and 2×15 bass cabinet \nTim O’Brien\nstereo/audio components \nLauretta Molitor\nLocation sound items pare down. Sound Devices 664\, Lectrosonics wireless\, vintage Schoeps\, mint condition mixer bags\, RED cables\, boom cable\, and many odds and ends. \nGuy Bailey\nMisc. mics EQs cables etc. \nMichael Romanowski/Coast Mastering\nJosephson Mics\nEAR 660 pair\nGibson EB2-D bass\nCables\nEquipment furniture Racks\nMore… \nStephen Jarvis\nProfessional wooden equipment racks\, Vertical shock mounted equipment racks on wheels\nBeyer MC740N condenser microphones\nLucid SSG192 Master Clock\nBrainstorm Distripalyser\nD.W. Fearn VT-1 mono tube microphone Preamp\nTascam DA45HR DAT machine\nVarious audio adapters \nSam Lehmer\nOtari MX-80 with Dolby (not bringing to event)\, Tannoy SRM-12B\, MXR Pitch Transposer\, Lexicon Prime Time II\, 2 dbx 160x’s\, Lexicon PCM 70\, Roland SN-700\, Digitech IPS-33B\, DeltaLab super time line ADM 512\, 2x Alesis Midiverb II\, Fostex 4030 system\, dbx 120x-ds\, Mackie 1202\, equipment rack\, multipair cables. \nDavid Sturdevant/Medicine Ball Music\nA big variety of stuff- some vintage\, some current. Audio support; Guitar\, keyboard and vocal support. Amps.
URL:https://aessf.org/event/audio-engineering-society-swap-meet-2107/
LOCATION:Airship Laboratories\, 1368 S 49th Street\, Richmond\, CA\, 94804\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2017/05/aes-2016-swap-meet-1.jpg
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