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DTSTART;TZID=America/Los_Angeles:20151116T190000
DTEND;TZID=America/Los_Angeles:20151116T210000
DTSTAMP:20260425T060323
CREATED:20151109T215927Z
LAST-MODIFIED:20151109T223414Z
UID:207-1447700400-1447707600@aessf.org
SUMMARY:Designing for Ultra-Low Distortion and Noise in Analog Circuits\, circa 2015
DESCRIPTION:Refreshments 7:00 pm\nPresentation 7:30 pm \nThe talk will be a thought-provoking discussion of analog circuitry design with particular emphasis on practical\, real-world solutions. The presentation will focus on objective\, measurable imperfections that limit analog circuit performance. \n \nBruce Hofer\, Chairman \nBruce Hofer is one of the founders of Audio Precision (AP) and its principal analog design engineer. He remains technically active as well as being the company’s Chairman. Bruce received his BSEE degree from Oregon State University in 1970. He joined Tektronix and participated in the design of Tek’s famous 7000-series oscilloscopes. In 1978 Bruce made a key career decision to respond to a growing personal interest in audio. He became the engineering manager and lead engineer of the Tek TM500 team that developed the world’s first fully automatic distortion analyzer\, the AA501 introduced in 1980. It was here that he also met or hired the other key team members that would ultimately leave Tektronix in 1984 to launch AP. Bruce has received 13 patents and authored numerous articles and papers. In 1998 he was inducted into his alma mater’s “Engineering Hall of Fame” as one of its charter members. Bruce is also a Fellow member of the international Audio Engineering Society (AES) and Chairman of its local Portland chapter. \nCogswell College. room 158\nNote: Cogswell College has relocated to San Jose
URL:https://aessf.org/event/designing-for-ultra-low-distortion-and-noise-in-analog-circuits-circa-2015/
LOCATION:Cogswell Polytechnical College\, 191 Baypointe Parkway\, San Jose\, CA\, 95134\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2015/11/circuit-board-small.jpg
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DTSTART;TZID=America/Los_Angeles:20150925T170000
DTEND;TZID=America/Los_Angeles:20150925T220000
DTSTAMP:20260425T060323
CREATED:20150924T121900Z
LAST-MODIFIED:20150925T214650Z
UID:183-1443200400-1443218400@aessf.org
SUMMARY:AES Open Studios Tours Mixer Sponsors and Raffle Prizes
DESCRIPTION:Thanks to 25th Street Recording\, for hosting our mixer\, and donating studio time for the winners of the mentoring sessions.\n\n\n\n\n\nThe Reel Directory will be at the mixer\, with free copies of the latest Reel Directory\nNorthern California’s one stop production directory for 30+ years. All attendees can get a free listing in The Reel Directory. Go to www.ReelDirectory.com  and click “Get Listed”. When you checkout\, use the coupon code: AESMixer.  This is a FREE lifetime membership to the Reel Directory.\n\n\n\n\n\nPrize and Sponsors for the AES Open Studios Raffle\nMust be present to win. The raffle will be held on September 25\, 2015 during the mixer at 25th Street Recording.  All raffle tickets are issued to registered participants of the open studios tour. Everyone should get one raffle ticket for each studio you tour\, so the more studios you visit\, the more chances to win.\n\n\n\n\n\n\nAdobe – One year subscription to Adobe Creative Cloud\nCreative Cloud gives you an amazing array of creative tools for producing multiple media projects\, with Photoshop\, Premiere Pro\, Illustrator\, Audition and more.\nAudition is a powerful audio workstation designed to accelerate video production workflows and audio finishing . Mix\, edit and create audio content with a comprehensive toolset\, which includes multitrack\, waveform and spectral display. The Creative Cloud drawing requires a separate entry card\, available at the mixer.\n\n\n\n\n\n \nCharlie Wilson\nMixing and Mastering\n\nGive your song the professional polish with a thorough mixing and mastering. This is for one song mixed and mastered (up to 4 hours) by Charlie Wilson at Sonic Zen Records\n\n\n\n\n\n\nFantasy Studios\n Classic Black Hoodie\nWith the iconic Fantasy Studios logo on front and meter on back; a great way to commemorate your day of AES East Bay studio tours.\n\n\n\n\n \nAudio Engineering Associates – Swag\nGet some cred from serious engineers when you’ve got your AEA swag\, makers of fine ribbon mics and preamps\, handcrafted in Pasadena.\n\n\n\n\n\nAvid – Pro Tools 12\, with iLok2\nPro Tools gives you every tool you need as a musician—from composing and recording to editing and mixing. This latest edition includes a collection of plugins to help you create the unique sounds you’re looking for. The box won’t be present at the event\, so we’ll collect the winners contact info for redemption after the event.\n\n\n\n\n\nChristopher Scott Cooper\nMentoring Session\n\nThis is for a couple hours of personalized one-on-one mentoring with Christopher Scott Cooper. The winner and Christopher will work out the mentoring topic before scheduling the session\, which will be held at Christopher’s own Blue Seven Audio Studio in Fremont. His particular specialties in audio mentoring and teaching include live sound\, studio tracking/recording\, mixing and running a business in the toughest industry in the world.\nBio: If it involves sound\, Chris has probably done it. A lifelong musician with over 30 years as an audio engineer/producer. Currently teaching live sound and studio production at Cogswell Technical College. His education in music composition\, years of touring and performing\, many hours sitting behind the desk both in studio and out on the road has provided a wealth of experience to pull from. In addition to Christopher’s live sound and recording work\, he’s done audio for games\, toys\, tv and film\, systems installs\, and is known for his trouble shooting abilities.\nTwelve years ago Christopher built Blue Seven Audio\, a high end professional recording studio tucked into a modest space that is both intimate and comfortable\, with full tracking and mixing capabilities. He continues to provide live sound services (FOH/monitor)\, consulting on studio design\, acoustics and live sound system installations.\n\n\n\n\n\nDavid Bowles\nMentoring Session\n\nA one-on-one mentoring sessions with Grammy nominated engineer David Bowles. Whether you need help with your mixing and processing\, or help with microphone choice and placement\, this is a chance to spend a couple of hours get individualized help. Winner and David Bowles will communicate to determine the scope of the session\, which can be held at 25th Street Recording or another location.\nBio: David Bowles\, also known as “Golden Ears”\, is a classical and acoustic music recording engineer and producer. He has recorded all styles of music ranging from today’s composers all the way back to the Medieval age. His recordings have won awards and acclamation for their vivid sound and committed performances. Also known for high resolution recordings in surround+height\, he has taught at the New York University Tonmeister programme for several years and participated in AES panels on immersive sound technology and application. Other institutions Mr. Bowles has taught at include Indiana University\, Peabody Conservatory\, the Royal Danish Academy of Music and the Banff Centre. He is a member of the AES\, SPARS and the NARAS Producers and Engineers Wing.\n\n\n\n\n\nDolby Systems – Kindle Fire HDX with Dolby Atmos\nThis Amazon Fire™ HDX 8.9 tablet provides Dolby Atmos sound on the go.\n\n\n\n\n\nMark Willsher\nMentoring Session\n\nA one-on-one mentoring session with award-winning engineer Mark Willsher. With a broad background in audio engineering and teaching\, Mark is flexible to spend a couple of hours mentoring a winner on whatever aspect of audio is wanted. This session can be held at 25th Street Recording\, or Mark’s studio. Winner and Mark will communicate\, to define the scope of the session prior to scheduling.\nBio: As a music editor Mark Willsher is known for his work with Howard Shore and Peter Jackson on the scores for The Two Towers\, The Return of the King\, and The Hobbit Trilogy. In addition to film and music production Mark is also a partner at Sound Innovations LLC – which develops cloud-based solutions for music production and archiving. He regularly to The Banff Centre as guest audio faculty\, and was acting director of audio at the Centre for the summer of 2008. He is a voting member of the Audio Engineering Society (AES)\, The Recording Academy (NARAS)\, and the Motion Picture Sound Editors (MPSE).\n\n\n\n\n \nMercury Recording Equipment\nSwag and Gear\nG8 Sum-It 8:2 Module\nThe Mercury D Series Passive Summing Mixer is a simple to operate\, flexible and convenient mixer to have on top of your work station or in your rack. It gives you many options that you can quickly and easily use during a recording session.\n\n\n\n\n\nMeyer Sound\nMeyer Black Logo Shirts and Jacket\nAudio engineers can never have too many black t-shirts\, but these Meyer shirts or jacket will set you apart from the other engineers.\n\n\n\n\n\nMichael Romanowski\nMastering\n\nWinner gets three songs (or two hours) of mastering from multi-Grammy nominated Michael Romanowski at his Coast Mastering studio in Berkeley. You can sit in on the session\, or just send your songs off to be polished up.\n\n\n\n\n\nTHX – Logitech Speaker System Z623\nA THX certified immersive sound speaker system with 400 watt peak power for your home theater\, computer\, or gaming console\, with a 2.1 system of two satellite speakers and a subwoofer .\n\n\n\n\n\nUniversal Audio\n Swag and an Apollo Twin\n\nDesigner and manufacturer of audio signal processing hardware and DSP software. \nApollo Twin is the first desktop interface to combine superior audio resolution with Realtime UAD Processing – letting you record through vintage EQs\, compressors\, reverbs\, and guitar amp plug-ins\, with breathtaking professional results. Legendary analog sound  on your desktop.\n\n\n\n\nSpecial Thanks to some of our other event sponsors\n\n\n\n\nLagunitas Brewing- Refreshments\n\n\n\n\n\n\n Media Services\n\nSVT is giving 15% off on their next service call to all registered attendees.
URL:https://aessf.org/event/aes-open-studios-tours-mixer-sponsors-and-raffle-prizes/
LOCATION:25th Street Recording\, Oakland\, CA\, 94612
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20150925T120000
DTEND;TZID=America/Los_Angeles:20150925T220000
DTSTAMP:20260425T060323
CREATED:20150628T221954Z
LAST-MODIFIED:20150924T192016Z
UID:171-1443182400-1443218400@aessf.org
SUMMARY:Open Studios and Mixer
DESCRIPTION:Get ready for our first-ever open studios\, a one day opportunity to visit some of the top audio facilities in the Oakland and Berkeley area\, followed by an audio-industry mixer at 25th Street Recording in Oakland. It’s like a pub crawl\, open-house\, and house party all rolled into one day. To attend and get the latest updates and info which you’ll need to participate\, register here for a free ticket.  Currently the registration is full.  You can check at our ticket registration for openings in case of cancellations. Everybody needs to have a ticket with them to attend the tours and mixer.\n \nNote: It’s very important that you register with the correct email address\, because all of the details you need to participate will be emailed to registered participants. \n12:00pm to 5:00pm: Open Studios\nYou can get an inside look at many of the recording and post-production studios in the East Bay. \nAES San Francisco will provide a list of participating facilities\, and you’ll be responsible for your own for transportation. There is no shuttle. If you’re car-challenged\, many of the studios can be reached by BART\, bus or bike. \nBe sure to pick up a raffle ticket at each location for our raffle drawing during the mixer. The more studios you visit\, the more chances you have to win. \n5:00pm to 10:00pm Industry Mixer\nWe’ll gather at 25th Street Recording a social mixer with light refreshments and raffle prizes from our  sponsors\, including: \nAdobe\nAEA Ribbon Mics\nAvid\nMercury Recording Equipment\nMeyer Sound\nTHX\nUniversal Audio …with more being added. This mixer is for ticket-holding\, registered participants of the studio tours. \nA more detailed list of prizes has been added here. \nFood: From 5:00-8:00 pm the Fist of Flour Pizza pizza truck will be parked in front\, where you can purchase fresh handmade slices or pies\, so head on over after the tours. \nThis is a free event for Bay Area audio professionals and audio students\, but you must be registered to attend. \nVisit these links to our participating studios to plot your tour: \n25th Street Recording\nBayview/Airship Laboratories\nBird and Egg Recording Studios\nEl Cerrito Studio\nFantasy Studios\nInfinite Studios\nJingleTown Recording Studios\nMegasonic Sound\nNew and Improved\nSanto Studio\nSharkbite Studios\nSkyline Studios\nSonic Zen\nSoundwave Studios \nThis might be the complete list. Only registered ticket holders can attend these tours and the mixer event. All of the details needed to participate are being sent by email a couple of days before the event\, to registered attendees. \nSome of our event sponsors include: \nLagunitas Brewing\nSVT Tech Services\nThe Reel Directory
URL:https://aessf.org/event/open-studios-and-mixer/
LOCATION:25th Street Recording\, Oakland\, CA\, 94612
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2015/06/25th-Street-Live-Room.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140925T190000
DTEND;TZID=America/Los_Angeles:20140925T210000
DTSTAMP:20260425T060323
CREATED:20150202T154218Z
LAST-MODIFIED:20150426T202857Z
UID:21-1411671600-1411678800@aessf.org
SUMMARY:Gain Sharing Automixing Moves From Secret Weapon to Mainstream
DESCRIPTION:Dan Dugan demonstrated a prototype adaptive threshold automatic microphone mixer at the New York AES convention in 1974. Subsequently he demonstrated a prototype of gain sharing automixing at the AES in Los Angeles. Forty years later\, gain sharing automixing is offered as a feature by Avid\, Calrec\, Protec Audio\, SSL\, Studer\, Yamaha\, and Waves. Applications range from the ubiquitous panel discussions at conferences to presidential campaign debates and World Cup commentary. Dugan will outline his development process\, explain the math\, and demonstrate the performance of his popular algorithm. \nMeeting Location:\nThe Art Institute of California – San Francisco 10UN Civic Center Plaza Room 410. San Francisco\, CA. 94102 \nCheck in with security and take the elevator to the 4th floor. Then go right until you reach the end of the hall.
URL:https://aessf.org/event/gain-sharing-automixing-moves-from-secret-weapon-to-mainstream/
LOCATION:The Art Institute of California – San Francisco\, 10UN Civic Center Plaza Room 410\, San Francisco\, CA\, 94102\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2015/02/Dan-Dugan.jpg
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DTSTART;TZID=America/Los_Angeles:20140527T193000
DTEND;TZID=America/Los_Angeles:20140527T220000
DTSTAMP:20260425T060323
CREATED:20150422T013212Z
LAST-MODIFIED:20150426T202935Z
UID:142-1401219000-1401228000@aessf.org
SUMMARY:Roger Linn - LinnStrument Demonstration
DESCRIPTION:Roger Linn will he is demonstrating his forthcoming LinnStrument\, a new human interface for expressive music performance that captures the continuous pressure\, X position and Y position of each touch\, independently and polyphonically\, thereby permitting each finger to simultaneously control a note’s loudness\, pitch and timbre. \nAbout the Speaker \nRoger Linn is a creator of electronic music products\, including the first sampled-sound drum machine\, the 1979 LM-1 Drum Computer\, as well as the LinnDrum drum machine\, both used on countless hit recordings during the 1990s. He later designed the Akai MPC sampling drum machines\, considered a major influence in hip hop music production\, and the AdrenaLinn beat-synced filter effects processors for guitar.
URL:https://aessf.org/event/roger-linn-linnstrument-demonstration/
LOCATION:Cogswell Polytechnical College\, 191 Baypointe Parkway\, San Jose\, CA\, 95134\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2015/04/Roger-Linn.jpeg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140318T190000
DTEND;TZID=America/Los_Angeles:20140318T220000
DTSTAMP:20260425T060323
CREATED:20150217T015446Z
LAST-MODIFIED:20150422T013033Z
UID:111-1395169200-1395180000@aessf.org
SUMMARY:Active Speakers: Design and Optimization Masterclass
DESCRIPTION:Prism Sound and Oxford Digital\, in conjunction with Texas Instruments\, CJS Labs and Audio EMC\, invite you to join this audio engineering masterclass from the Cogswell Polytechnical College in Sunnyvale\, CA. \nIt is a unique opportunity to hear from some of the most experienced engineers in the industry and to learn about their practical experiences in analogue and digital audio design. See the latest developments in technology\, and profit from the many decades of collective experience of our panel of experts. \nJoin us in the room or via live or recorded web cast. \nSpeakers: Elliott Whyte\, John Richards\, Anthony Waldron\, Christopher J. Struck\, Lars Risbo \nAgenda \nTues Mar 18\, 2014 7-10pm (PST)\n19:00 – 19:15\nElliott Whyte \, Prism Sound\nAudio measurement challenges – a summary and an example \n19:25 – 19:55\nAnthony Waldron\, Audio EMC\nEMC Considerations for Audio Products \n20:00 – 20:30\nChristopher J. Struck\, CJS Labs\nElectoacoustics and transducers \n20:30 – 20:50\nNetworking & Refreshment Break \n20:50 – 21:20\nLars Risbo\, Texas Instruments\nDevelopments in Amplifier technology \n21:25 – 21:55\nJohn Richards\, Oxford Digital\nTuning the sound of consumer audio products
URL:https://aessf.org/event/active-speakers-design-and-optimization-masterclass/
LOCATION:Cogswell Polytechnical College\, 191 Baypointe Parkway\, San Jose\, CA\, 95134\, United States
CATEGORIES:Home Page,Section Meetings
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140225T193000
DTEND;TZID=America/Los_Angeles:20140225T220000
DTSTAMP:20260425T060323
CREATED:20150117T003216Z
LAST-MODIFIED:20150427T010244Z
UID:109-1393356600-1393365600@aessf.org
SUMMARY:Sweet Blues: A Film About Michael Bloomfield
DESCRIPTION:Speaker: Ted Leyhe\, Cinematographer and Co-Producer of Sweet Blues will be present for a Q&A immediately following the film. \nRefreshments and mixing at 7:00 PM in DreamWorks Cafeteria\nNo food or drink will be allowed in the theater. \nRSVP Required: Password for Registration: mb214 RSVP > \nAbout the Film:\nThe new documentary film Sweet Blues focuses on the musical career of legendary guitarist Michael Bloomfield. A musical prodigy\, the Chicago native honed his unique guitar style by playing Southside clubs while in his teens\, with B.B. King\, Muddy Waters\, Howlin’ Wolf and many others. Described by Bob Dylan as the\, “Best guitar player I ever heard\,” Bloomfield’s contributions to Dylan’s Highway 61 Revisited launched Dylan’s transition from a folk music to electric rock and roll\, and moved rock guitar to the forefront\, influencing many of the best known guitar players today. \nBloomfield’s move to the bay area helped shape the late 60s San Francisco music scene. Included are interviews on Bloomfield from the guitaristís friends and fellow musicians\, many who are local luminaries like Bill Graham\, Carlos Santana\, and Bob Weir. The film’s vintage concert footage and audio interviews of Bloomfield\, are superbly mixed by Berkeley Sound Artists’ James LeBrecth\, whose previous work includes Village Music: The Last of the Great Record Stores\, which was shown at our December 2012 meeting. \nThe film was a 25 year project from director Bob Sarles\, veteran of many rock documentaries\, and premiered at the Mill Valley Film Festival in October 2013. On dvd\, it’s part of a new 4-disc Bloomfield box set\, released by Sony in February 2014. \nRunning Time: 57 minutes
URL:https://aessf.org/event/sweet-blues-a-film-about-michael-bloomfield/
LOCATION:DreamWorks Theater\, Redwood City\, CA\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2015/01/sweetblues_tkt.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20140204T193000
DTEND;TZID=America/Los_Angeles:20140204T213000
DTSTAMP:20260425T060323
CREATED:20150422T012246Z
LAST-MODIFIED:20150422T015559Z
UID:137-1391542200-1391549400@aessf.org
SUMMARY:Issues around mastering: an open discussion
DESCRIPTION:Refreshments at 7:00pm \nRSVP:  Required (space limited to a maximum of 25 people) \nTonight’s open discussion will concentrate on how the field of mastering has utilized existing analogue and evolving digital technologies. A short recap will show how the field of mastering developed from the age of the LP to the present. The facility as much outboard gear\, both tube and solid-state; attendees can compare differences between unprocessed and processed audio. \nIn addition\, we will touch on issues around high resolution recordings. First of all\, what defines “high resolution”; secondly\, evolving delivery formats; thirdly\, how mastering those recordings differs from Red Book Audio format. \nMichael Romanowski\, Michael Romanowski Mastering \nMichael Romanowski is a Grammy nominated Mastering engineer. He is the owner and chief mastering engineer at Michael Romanowski Mastering\, based in San Francisco. The owner of the historic Coast Recorders and a founder and co-owner of The Tape Project — an audiophile label that only releases real time copies of original analog masters on 1/4″ and 1/2″ tape. Michael serves as President of the The Recording Academy San Francisco Chapter (NARAS)\, is chair of the Presidents Council and serves on the National Advisory Council to the Producers and Engineers Wing. He teaches at San Francisco State University\, and is an active panelist at conferences such as TapeOp\, AES\, CES\, SXSW\, AES Mexico\, VSAC and NAMM. \nMichael also has begun a series called “Live at Coast” where artists record a live record in front of an audience in the studio. As a big supporter of the local music scene\, he also has a podcast with KFOG DJ Renee Richardson called Renee and Romo\, where they bring in local musicians to play and talk about their music. Michael has recorded live performances by Kenny Burrell\, Branford Marsalis\, Santana\, Narada Michael Walden\, Nels Cline\, Todd Snider\, Will Kimbrough\, American Bach Soloist\, The Oakland East Bay Symphony and many others. His extensive Mastering Credits include Third Eye Blind\, Pat Monahan\, Matt Nathanson\, Too $hort\, Dredge\, The Dynamites\, Alasdair Fraser\, Jacqui Naylor and many others.
URL:https://aessf.org/event/issues-around-mastering-an-open-discussion/
LOCATION:Coast Recorders\, 1340 Mission St\, San Francisco\, CA\, 94103\, United States
CATEGORIES:Home Page,Section Meetings
ATTACH;FMTTYPE=image/jpeg:https://aessf.org/wp-content/uploads/2015/01/Michael_Romanowski_Bio_Pic.jpg
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